jesse
@ March 31, 2010


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6
The camera holds frame as a tall, dark man in a cowboy hat and boots walks away from us, as if he's stepping into the frame out of another picture entirely. The edges of the screen fill in with the scene around him: a South Beach pool party scene straight out of a Michael Bay movie. We follow him across the pool, cowboy boots smacking against the concrete. He sits down across from another dark man, this one slicked back and slippery. The slick man looks nervous but tries to hide it as the cowboy approaches. He invites the cowboy to join him for lunch.

The cowboy tells him there is still time. He's given the slick man 24 hours to leave town, and he's still got two minutes left. But if Slick is still in town when the 24 hours are up, he'll shoot him on sight.

I don't think I've ever been hooked on a television series faster than I was in those two minutes.

Timothy Olyphant stars as Raylan Givens, a U.S. Marshall who starts out of the Miami office, but quickly finds himself transferred to Kentucky near the town where he grew up.
That first scene is out of a different, but equally fascinating show. It would have been  a twist on the fish out of water: Marshall Givens might look like he's out of place, but his supreme cool tells us the real story: he isn't a fish out of water. He's still in the water, and everybody else has been thrown in there with him.  It was not to be: Givens is not long for Miami, and finds himself back in his old Kentucky home before the second act of the pilot. Before the first hour is through, he'll once again find himself in a showdown facing a deadline to leave town.

I've seen Olyphant in a few roles - about 15 minutes of that video game adaptation where he is bald, the ineffective villain in Live Free or Die Hard - and never felt I'd seen him in anything that suited him. That is, until I saw him in a cowboy hat.




I can't be sure that the show will live up to the promise of this first episode. What I can be sure of is this: think of the best combinations of actor and role of the past decade. I'm thinking Hugh Laurie as Dr. Gregory House, Kiefer Sutherland as Jack Bauer, Michael C. Hall as Dexter Morgan. Individually brilliant creations that shine in spite of the varying quality of the show surrounding them. Whatever happens around the periphery of Justified, I believe Timothy Olyphant as Raylan Givens is now on that list.

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...he's playing the exact same character as he did on Deadwood for three full seasons.

For reference, Deadwood's opening scene involved Timothy Olyphant's tightly wound, angry marshall Seth Bullock desperately working to protect a cattle rustler from an angry mob long enough to hang him under banner of law.

Now that's an opening!

Watch Justified if you want, but watch Deadwood too.

why would i start watching a show that by all accounts has an incredibly unsatisfactory ending?

It's about the journey, not the destination, and the journey of Deadwood is fantastic.

If you think Justified will not have an incredibly unsatisfactory ending, i have some $80 metal figurines to sell you. While i agree that the pilot shows promise, your willingness to endorse this show, when paired with your refusal to try Deadwood, is colossally irritating.

Ditto this post, times a billion. In fact, I said nearly the exact same thing to Jim after we watched the pilot. [Though the following two episodes have been less absorbing, I still think the show has a lot of promise.] It has the potential to become a career-defining role that could bring Olyphant's work to a whole new level.

That said -- yeah, Jesse, you really need to see "Deadwood." This character is basically a more modern, less gun-happy version of Seth Bullock, right down to the hat. And I didn't find its abrupt end "unsatisfying" so much as . . . well, expected. HBO kind of sucks this way. But Deadwood was still definitely worth the hours I put into it. [If only because it gives me an entirely new way to watch "LOST" -- the cast crossover between these shows is astronomical.]

I think up until now, Olyphant's been better suited to small roles where he can play the charismatic bad-guy in a handful of scenes. I've been a fan since his 10 minutes of screen time as a pretty boy drug dealer in "Go" . . . and he actually gave the slightly-awful Elisha Cuthbert vehicle "The Girl Next Door" some dramatic weight as a sleazy porn producer, without losing his sense of humor.

He has done good work here and there over the years, so I'm happy he's found a role that suits him so well. And the snappy Elmore Leonard banter definitely helps.

At this point, I think I'm getting more joy out of irritating everybody by not watching Deadwood than I would ever get out of actually watching it.

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