jesse
@ April 9, 2009


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4
[The following is part one of an email conversation between Jesse and Jim with our thoughts about the 5th season of "House".  If you have not seen the show, please be aware that there are major spoilers.]

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From: Jim
To: Jesse

Subject: YOU ARE RISKING A PATIENT'S LIFE!!!

I blame you for this. That's right, you Mr. Craft. I was thoroughly happy not watching House. The marketing team at Fox had turned me off to the show, well before its premiere. "You're RISKING A PATIENT'S LIFE" the ads said. "I'm the doctor whose trying to save your son; you're the mother who's letting him die," the ads said. "I'm the person who is not watching this TV show," I responded.

So, House premiered, and I was blissfully ignorant to its existence. I was DVR-less at the time, and there were very few television programs for which I felt it worth my time to schedule viewing. Fast forward to April of 2006. Rather than cover my doorframe in lamb's blood and huddle up in my home, like most people do during Passover, I made a visit to Albany. I had a suitcase full of DVDs, and a couch to sleep on, plus, there was Tuesday night trivia and all those wonderful things that make up for the fact that Albany is a frozen hell on earth for a few months out of the year.

I sit down with you and The Suze, and watch some TV during the evenings when you are not at work. House is one of those shows. Michelle Trachtenberg, aka The Key, aka Dawn from Buffy, is guest starring as the patient. I'll cut to the chase: I got hooked on the show because there was an asshole/genius doctor holding a teenage girl hostage in an elevator while he searched her vagina for a tick. The next thing I knew, I was unwrapping a season 1 House box set birthday present, and quickly caught up on the series.

So, that's how I got hooked on House... but, if you'll recall, one of my major concerns was how long the show could stay fresh. "It's a formulaic procedural, they can't keep this up for more than 5 seasons before it starts to get bad," I said at the time.

As it turns out, I was a little generous with my estimate. This season's Monday night triple-awesome of House/24/Heroes has turned into Mediocre/FREAKINGAWESOME/Oh-
God-Why-Am-I-Still-Watching-this-Crap. (It's also your fault that I started watching Heroes. It's *my* fault that I hung on after the second season).

So, House, what the hell happened?

After three successful seasons, the writers decided that some retooling was necessary to keep the show fresh. So, at the end of the third season, House's team was fired and/or quit. Chase, Cameron, Foreman, meet the door. This set up a fantastic bit of Houseness to start the fourth season, with him creating a Survivor-esque job interview process. Good stuff, right? Well, for some reason, the fired team members all kept their acting gigs on the show. We got to follow Foreman at a new position for a while, while Chase and Cameron stayed at Princeton Plainsboro in different career roles. In retrospect, this was a stupid idea.

The Foreman plot simply ended up with him being back on House's team. He was supposed to be House's supervisor, but of course, that idea got lost and now he's just House's target for ethnic humor. Cameron and Chase show up sometimes. Occasionally, there is some glimmer of hope that they'll get a storyline, but in the end, it never pans out.

I want to discuss three things. First, the new team. Second, the reluctance of the show to keep storylines going for more than a few episodes. Finally, Kutner's suicide.

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From: Jesse
To: Jim
Subject: An A+ character in a B show

I think its a mistake to blame the decline in quality in House on this story line or that story line. Instead, I think your initial observation is on the money - its a formulaic procedural, and it is inherently difficult to keep that kind of show fresh. The model for American television is that hit shows will continue to be made as long as it is profitable. The result is that shows must churn through plotlines, soap-opera style, without any real end game. At the same time, shows basically have to hit the "reset" button every few episodes or, at most, every season.

This is a problem unique to American television. Would you read a book or watch a movie where you didn't know how long it was going to be when you started? Even the seemingly interminable Harry Potter franchise eventually came to a conclusion. British shows run for 2 or 3 10-episode seasons (if that). The root of this evil is syndication. 100 episodes makes it viable to sell a show into syndication, and each episode after that adds to the gravy train. A hit show can keep the money rolling in for its creators long after it is off the air.

Consider a show like Twin Peaks. It broke onto the scene, became a sensation, solved its main mystery, and then faded. In the British mold this show would have been a runaway success, but in America, it is seen as a failure, because it "only" had one highly rated season. Lost is a another show, like Twin Peaks, that revolves around a central mystery. But unlike Twin Peaks, it refused to solve its main mystery in the first couple of seasons. The result, however, was the same; the popularity started to fade. Only by setting a firm end date (like a book or a movie would have) was it able to regain its foothold in the ratings. It was as if the creators said, "Hey, look guys. We're actually going somewhere with this. We aren't just going to drag this out indefinitely."

House, which is going to drag out indefinitely,  has to have the appearance of motion while actually standing still. House was a compelling character when he first appeared, but after awhile, he (and everyone around him) become less compelling, unless something happens. Something has to change. But if he changed, he wouldn't be House anymore, and we wouldn't want to watch. If House has a shelf life of only four seasons, then maybe he should only have been around for four seasons. If House ages as a show less gracefully then we would like, I don't blame him. I blame the system.

But seriously? The new team sucks. The show does (and has always done, which I'll get more into later) a terrible job of structuring an overall arc over any period of time. And Kutner's suicide felt completely arbitrary, which I think was part of the point, but it didn't work for me at all. Dr. Gregory House is, and has always been, an A+ character in a B show.

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The show definitely suffered a huge drop after the survivor bit, for reasons you two mostly identify. But how can you forget the worst part, the incessant focus on the most boring character to appear on the show, Thirteen? Taub and Kutner were both good in comparison.

I've only seen a few episodes of House before I decided not to bother, but I have started watching Lie To Me, which I've decided is just a house knock-off. It pains me, like House did, in that it takes an awesome British actor (Tim Roth this time instead of Hugh Laurie) and puts him in a mildly-intriguing-yet-not-great American show. And yet I can't stop watching. Arrg.

Point is: I feel your pain.
And: Don't watch Lie To Me.
And: Hugh's old buddy Stephen Fry should totally guest star on House, to comedic effect.

I watched the first two episodes of Lie to Me. That was all I needed to see of the show. Ever.

And Kev, this is only the first installment -- I dropped around 2000 words in my initial email to Jesse, we'll talk about 13, for certain.

I found the same thing happened to me when I started eating tomatoes.

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