[The following is part one of an email conversation between Jesse
and Jim with our thoughts about the 5th season of "House". If you have not seen the show, please be aware that there are major spoilers.]---
From: Jim
To: Jesse
Subject: YOU ARE RISKING A PATIENT'S LIFE!!!
I blame you for this. That's right, you Mr. Craft. I was thoroughly
happy not watching House. The marketing team at Fox had turned me off
to the show, well before its premiere. "You're RISKING A PATIENT'S
LIFE" the ads said. "I'm the doctor whose trying to save your son;
you're the mother who's letting him die," the ads said. "I'm the person
who is not watching this TV show," I responded.
So, House
premiered, and I was blissfully ignorant to its existence. I was
DVR-less at the time, and there were very few television programs for
which I felt it worth my time to schedule viewing. Fast forward to
April of 2006. Rather than cover my doorframe in lamb's blood and
huddle up in my home, like most people do during Passover, I made a
visit to Albany. I had a suitcase full of DVDs, and a couch to sleep
on, plus, there was Tuesday night trivia and all those wonderful things
that make up for the fact that Albany is a frozen hell on earth for a
few months out of the year.
I sit down with you and The Suze, and watch
some TV during the evenings when you are not at work. House is one of
those shows. Michelle Trachtenberg, aka The Key, aka Dawn from Buffy,
is guest starring as the patient. I'll cut to the chase: I got hooked
on the show because there was an asshole/genius doctor holding a
teenage girl hostage in an elevator while he searched her vagina for a
tick. The next thing I knew, I was unwrapping a season 1 House box set
birthday present, and quickly caught up on the series.
So,
that's how I got hooked on House... but, if you'll recall, one of my
major concerns was how long the show could stay fresh. "It's a
formulaic procedural, they can't keep this up for more than 5 seasons
before it starts to get bad," I said at the time.
As it turns
out, I was a little generous with my estimate. This season's Monday
night triple-awesome of House/24/Heroes has turned into
Mediocre/FREAKINGAWESOME/Oh-
God-Why-Am-I-Still-Watching-this-Crap. (It's also your fault that I started watching Heroes. It's *my* fault that I hung on after the second season).
So, House, what the hell happened?
After
three successful seasons, the writers decided that some retooling was
necessary to keep the show fresh. So, at the end of the third season,
House's team was fired and/or quit. Chase, Cameron, Foreman, meet the
door. This set up a fantastic bit of Houseness to start the fourth
season, with him creating a Survivor-esque job interview process. Good
stuff, right? Well, for some reason, the fired team members all kept
their acting gigs on the show. We got to follow Foreman at a new
position for a while, while Chase and Cameron stayed at Princeton
Plainsboro in different career roles. In retrospect, this was a stupid
idea.
The Foreman plot simply ended up with him being back on
House's team. He was supposed to be House's supervisor, but of course,
that idea got lost and now he's just House's target for ethnic humor.
Cameron and Chase show up sometimes. Occasionally, there is some
glimmer of hope that they'll get a storyline, but in the end, it never
pans out.
I want to discuss three things. First, the new team.
Second, the reluctance of the show to keep storylines going for more
than a few episodes. Finally, Kutner's suicide.
---
From: Jesse
To: Jim
Subject: An A+ character in a B show
I think its a mistake to blame the decline in quality in House on this
story line or that story line. Instead, I think your initial
observation is on the money - its a formulaic procedural, and it is
inherently difficult to keep that kind of show fresh. The model for
American television is that hit shows will continue to be made as long
as it is profitable. The result is that shows must churn through
plotlines, soap-opera style, without any real end game. At the same
time, shows basically have to hit the "reset" button every few episodes
or, at most, every season.
This is a problem unique to
American television. Would you read a book or watch a movie where you
didn't know how long it was going to be when you started? Even the
seemingly interminable Harry Potter franchise eventually came to a
conclusion. British shows run for 2 or 3 10-episode seasons (if that). The root of this evil is syndication. 100
episodes makes it viable to sell a show into syndication, and each
episode after that adds to the gravy train. A hit show can keep the
money rolling in for its creators long after it is off the air.
Consider
a show like Twin Peaks. It broke onto the scene, became a sensation,
solved its main mystery, and then faded. In the British mold this show
would have been a runaway success, but in America, it is seen as a
failure, because it "only" had one highly rated season. Lost is a another show,
like Twin Peaks, that revolves around a central mystery. But unlike
Twin Peaks, it refused to solve its main mystery in the first couple of
seasons. The result, however, was the same; the popularity started to
fade. Only by setting a firm end date (like a book or a movie would
have) was it able to regain its foothold in the ratings. It was as if the creators
said, "Hey, look guys. We're actually going somewhere with this. We
aren't just going to drag this out indefinitely."
House, which is going to drag out indefinitely, has to
have the appearance of motion while actually standing still. House was a
compelling character when he first appeared, but after awhile, he (and
everyone around him) become less compelling, unless something happens.
Something has to change. But if he changed, he wouldn't be House
anymore, and we wouldn't want to watch. If House has a shelf life of
only four seasons, then maybe he should only have been around for four
seasons. If House ages as a show less gracefully then we would like, I
don't blame him. I blame the system.
But seriously? The new team
sucks. The show does (and has always done, which I'll get more into
later) a terrible job of structuring an overall arc over any period of
time. And Kutner's suicide felt completely arbitrary, which I think was
part of the point, but it didn't work for me at all. Dr. Gregory House
is, and has always been, an A+ character in a B show.